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Contrary to some comments on this list, this film is not a documentary or concert film. It is a visionary work of art. It’s like Robert Franks’ book THE AMERICANS coming to life. If you don’t know what that is about, leer for yourself. This is the America that Kerouac loved. And if you don’t know what that means, accumulate out before it’s too leisurely.
This film is really about a summers day in America in 1958. As a musician, a Jazz lover, a poet and a film buff, this film is the best of all worlds. It is pure poetry. It is like seeing the world through Kerouac’s heart-filled eyes. Eyes we all have, but forget in our daily malaise. Gaze the microscopic particulars, the spontaneous nature of life. Speaking of Beats, if you eye true terminate you can seek Gregory Corso in a couple of audience shots.
Jazz on a Summers day is about time and location. It freezes a moment in time and makes it eternal. A time when jazz was accepted music of american culture. A summers day when people living in the icy war and the Eisenhower era kick off their shoes and truly live. It is filled with moments of deep sighs, AH. Like, the shot of the young girl singing along with Satchmo, if that’s not art I don’t know what is. The performers too, Mahalia Jackson is a spacious bodhisattva/angel. The cinematography is vibrant. You’ve never seen the fifties this loyal.
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I actually cherish the parts that digress from the festival. Even though I regret not seeing all of Monk. But it’s composed magnanimous, and contrary to another comment, the stage announcer that says Monk is “unconcerned” should be understood as Monk is on a different level. He makes music for different reasons. If you don’t what that means, unprejudiced listen. Monk will content to you in a dream.
This was a time when the music was more than unprejudiced refined listening for museums and chamber halls, it oozed into everything. Seeing the boating footage with the Jazz, it’s unprejudiced poetic. Jazz is portion of life. It is the expression of life. The people are having a pleasant time on a summers day. A day that seems so far away. This will never happen again. Not like this. This is what titanic films and art are made of.
There is beauty in every waking moment my friends. Objective peruse. Breathe. Feel. Thank you Bert Stern.
I live in Gloucestershire, England and could not obtain this DVD in UK. Thanks to Amazon and the Web, my copy arrived in (…) days! I first saw this fantastic film many years ago and I remember how it affected me. A passion for jazz AND photography makes this film the perfect vehicle to soak up the atmosphere of the 1958 Newport Jazz Festival. I would have been 8 years used when it was filmed and even at that early age, I was into Monk, Mulligan and Shearing. George lives fair up the road from me and I know him quite well. He would have been 39 in 1958.
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The film is beautifully shot, focusing on the performances, the music and atmosphere, but without a documentary. It doesn’t need one! The diagram Bert Stern moves from artiste to audience is edifying. Chilly performers and guys in the audience, young and archaic all on the “afterbeat”. Fantastic to study Monk playing “Blue Monk”, Anita O’Day singing “Georgia Brown”. Dig that hat!! And Mr Shearing with quintet, performing a slack slot – unbelievable!
The icing on the cake is an interactive flow, narrated by Mr Stern, tedious the scenes of the film. He tells you his thinking, his emerging appreciation of jazz and his roots in photography. This is interlinked with specific sequences from his novel film. As the liner notes say “I was objective . . . basically a photographer who wanted to earn a movie before I was 30 . . . it was a perform of a documentary and had a lot to do with photograhy . . . it wasn’t something that I had ever seen before and it objective intrigued me . . . it’s more of of a happening. . . interpretive, happening . . .”
The quality of the video and audio is radiant. If you relish photography or jazz, or like me . . . both, this film is a exact must. Highly recommended! Regards to all, JON’ B.
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